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NEW YORK – Sharon Gless plays women with toughness, drive and, when it counts, a comic streak.
No matter how vulnerable her character may be, she’s no shrinking violet, nobody’s patsy.
She’s in her third season on her latest series, the action drama “Burn Notice,” which airs at 9 p.m. Thursdays on USA.
But for many viewers, Gless will always be Detective Chris Cagney, the crime-busting, disappointed-in-love cop partnered with matriarchal Detective Mary Beth Lacey (Tyne Daly) on the classic CBS drama “Cagney & Lacey.” A “buddy drama” with realistic female heroes, it broke new ground in the 1980s.
Since then, Gless, to no one’s surprise, has remained an unstoppable force.
A few years ago, she tackled an unusual role, even for her: the fiercely proud mother of a young homosexual man in Showtime’s “Queer as Folk,” which depicted a gay lifestyle in startlingly frank terms. Gless’ supporting character – quirky and colorful – worked at a diner.
“I always said ‘Queer as Folk’ was about this waitress,” Gless says with a hearty chuckle.
And what about now, with “Burn Notice”?
“It’s about this chain-smoking mother,” she replies, beaming.
That’s not entirely accurate, of course.
The lighthearted caper show centers on Jeffrey Donovan as Michael Westen, a mysteriously blacklisted spy stranded in Miami, where he’s trying to wangle some work while he clears his name and flushes out the person who “burned” him.
He keeps his sanity with the help of fellow renegades including Gabrielle Anwar as Fiona, a gorgeous ex-IRA operative, and Bruce Campbell as Sam, a washed-up intel contact and Westen’s closest pal.
Also in the picture is Madeline, Westen’s meddlesome mom who, a Miamian, just loves having her formerly wayward son stuck close at hand.
Westen is tied up on a case when his cell phone rings: Mom calling.
“It’s somebody’s birthday todaaaay,” she coos. “I thought you’d come over for a nice dinner.”
“We’re celebrating birthdays now?” he scoffs.
“It’s never too laaaaate!”
“Where are we getting takeout from?” he brusquely replies.
“Who said anything about takeout?” says Madeline, at that moment juggling her cell phone, a cigarette and a takeout flier from a Greek restaurant.
In this show about fighting crime, Gless is a culprit whenever she appears: She is likely to steal any scene within reach.
How did she land the role? She has a theory: “They needed the mother from hell. ‘Let’s get Gless!’ ”
At 66, she sports a sleek, ivory-white haircut and great round eyeglass frames. She’s on a publicity hop to New York from her native Miami, where she lives with her husband of 18 years, producer Barney Rosenzweig, whom she met when he cast her for “Cagney & Lacey.”
