HOLLYWOOD – Fantasy and horror fans, prepare yourselves for the Decade of del Toro.

On the far side of the globe, in New Zealand, filmmaker Guillermo del Toro is in his seventh month of labor on “The Hobbit,” a $300 million epic that will be told over two films to be released in 2011 and 2012. But you can also find the Guadalajara, Mexico, native now on the best-sellers shelf of your local bookstore with his debut novel, “The Strain,” the opening installment of a vampire trilogy he has mapped out.

That’s only the beginning. Toro, 44, who was Oscar-nominated for the dark fairy tale “Pan’s Labyrinth” and has shown his crowd-pleasing sensibilities with the “Hellboy” films, also has plans to reanimate some musty and monstrous literary classics by making a “Frankenstein” film as well as an adaptation of the H.P. Lovecraft epic “At the Mountains of Madness,” a project he breathlessly refers to simply as “my obsession.”

That would seem to be a full plate for anyone, but in a recent phone interview he chuckled and admitted he’s got another one to add to the pile: “I think after ‘The Hobbit,’ my next project may actually turn out to be ‘Drood,’ ” he said, referring to the 2009 novel by Dan Simmons that presents Charles Dickens at the center of an occult mystery in 1860s Victorian London. Del Toro has also talked about adapting “Slaughterhouse-Five,” Kurt Vonnegut’s surreal antiwar tale of time travel.

If you’re keeping track, that would have del Toro tied up well past 2015 and perhaps into 2017. He is also flirting with other projects (“Pinocchio,” “Dr. Jekyll and Mr. Hyde” and a third “Hellboy” film have been mentioned at various times), but perhaps only in the role of producer, as he did with the acclaimed 2007 Spanish ghost story “The Orphanage.” He also wants to join the increasingly popular quest to find the undiscovered country of interactive 21st century storytelling, which lies somewhere between Hollywood films and video games as we know them today.

It’s a dizzying career plan for the father of two (his wife and daughters have moved to New Zealand to be with him during production of “The Hobbit”) but no venture has him more enthused than “The Strain,” the 401-page novel that was co-written with Chuck Hogan and released in hardcover last month by William Morrow. The book has received generally good reviews and fulfills the earliest ambition of del Toro, who as a boy in Mexico dreamed of being an author long before filmmaking captured his heart.

“The Strain” presents an unsettling tale of a vampiric virus in New York City.

The vampires of “The Strain” are not pretty boys, not with skin that, on close inspection, reminds one young human character of a “pickled pig fetus” he saw back in science class. “The idea is to keep reminding people that these are undead things. To start with biology and then also help the audience make sense of all the vampire traits that they already know,” del Toro said.

He won’t need to remind anyone of “The Hobbit’s” origins. In nine months, he will begin shooting the film, and all he has to do is match the Tolkien achievement of Peter Jackson, the “Lord of the Rings” director whose three films pulled in more than $2.9 billion at the box office worldwide and collected 17 Oscars. (Jackson is back as producer on “The Hobbit” and said last year that he “cannot think of a more inspired filmmaker to take the journey back to Middle-earth.”)