NEW YORK – “A Strange Loop,” Michael R. Jackson's critically cheered theater meta-journey earned a leading 11 Tony Award nominations Monday as Broadway joined the national discussion of race by embracing an envelope-pushing Black-written and Black-led musical.
Jackson's 2020 Pulitzer Prize drama winner about a Black gay man writing a show about a Black gay man earned nods for best musical, best leading man in newcomer Jaquel Spivey and best featured actress for L Morgan Lee, who becomes the first openly transgender performer to be nominated for a Tony Award.
Jesse Williams, the “Grey's Anatomy” star making his Broadway debut, got a nomination for “Take Me Out,” as did his co-star Jesse Tyler Ferguson of “Modern Family” fame. Playwright Lynn Nottage has two reasons to smile Monday morning: Her book for the musical “MJ was nominated for best book and her play “Clyde's” got a nod for best play.
Right behind “A Strange Loop” is a tie with 10 nominations each for “MJ,” a bio musical of the King of Pop stuffed with his biggest hits, and “Paradise Square,” a musical about Irish immigrants and Black Americans jostling to survive in New York City around the time of the Civil War.
The rest of the best new musical category includes “Six,” the corrective feminist take on the six wives of England's Henry VIII, “Girl From the North Country,” which uses the songs of Bob Dylan to weave a Depression-era story in the Midwest and “Mr. Saturday Night,” a reworking of Billy Crystal's film about a bitter, old insult comic chasing a last laugh.
Two of the best play nominees are about economics – “Skeleton Crew,” Dominique Morisseau's play about blue-collar job insecurity in a Detroit auto stamping plant in 2008, and “The Lehman Trilogy,” Stefano Massini's play spanning 150 years about what led to the collapse of financial giant Lehman Brothers.
There's also “Clyde's,” Nottage's play about a group of ex-cons trying to restart their lives at a truck stop diner, and “Hangmen,” Martin McDonagh's look at an executioner-turned-pub owner forced to grapple with his past when capital punishment is made illegal in the United Kingdom. “The Minutes,” Tracey Letts' depiction of a small-town city council meeting that exposes backstabbing, greed and the larger delusions in American history, also earned a best play nod.
There were four musical revivals during the season, but only three got nominations: “The Music Man” which celebrates America's soul with a traveling con man in a small Iowa town starring Hugh Jackman and Sutton Foster, who each have two Tonys and were each nominated this time as well.
The two other entries in the musical revival category are “Caroline, Or Change,” Tony Kushner and Jeanine Tesori's show that explores America's racial, social and economic divisions in 1963 Louisiana, and “Company,” Stephen Sondheim's exploration of a single person's conflicted feelings about commitment, this time with a gender-switching of the lead character. That left “Funny Girl,” the classic American show starring Beanie Feldstein about the rise of a comic star of the Ziegfeld Follies, out of the running – it got only one nod, for Jared Grimes as best featured actor.
Nominations for best play revival are “Trouble in Mind,” Alice Childress' play about a Broadway play that explores the racial divide in the 1950s, and “How I Learned to Drive,” Vogel's Pulitzer Prize-winning memory play told by the survivor of childhood sexual abuse, starring two nominees: Mary-Louise Parker and David Morse. The others are “Take Me Out,” Richard Greenberg's exploration of what happens when a baseball superstar comes out as gay, and “for colored girls who have considered suicide/when the rainbow is enough,” playwright Ntozake Shange's exploration of Black womanhood. That work also made history: Camille A. Brown the first Black woman to direct and choreograph a Broadway play since 1955 earned nominations in both categories.
The season – with a whopping 34 new productions – represents a full return to theaters after nearly two years of a pandemic-mandated shutdown.
It is also notable for a wave of plays by Black playwrights, reflecting the impact on Broadway of the global conversation about race following the killing of George Floyd in 2020.
Neither Matthew Broderick nor his wife Sarah Jessica Parker earned nominations for a revival of “Plaza Suite,” but Patti LuPone got one for “Company” and so did LaChanze for “Trouble in Mind.” Ruth Negga earned a nomination for “Macbeth,” but her co-star Daniel Craig came up empty. Tony-winner Phylicia Rashad got her first nomination in 17 years with “Skeleton Crew.”
The musical “Mrs. Doubtfire” earned only one nod, for Rob McClure, stepping into the Robin Williams role of an actor who poses as his children's portly, Scottish nanny in order to spend time with them after a divorce.
The nominees for best actress in a musical nominees are Sharon D. Clarke of “Caroline, Or Change,” Foster in “The Music Man,” Joaquina Kalukango for “Paradise Square,” Carmen Cusack in “Flying Over Sunset” and Mare Winningham in “Girl From the North Country.”
Joining Spivey, Jackman and McClure in the best actor in a musical category are Crystal for “Mr. Saturday Night” and Myles Frost, whose King of Pop in “MJ” was a moonwalking triumph. The best actor in a play category is dominated by the three leads in “The Lehman Trilogy” – Simon Russell Beale, Adam Godley and Adrian Lester. The rest are Morse, Sam Rockwell from “American Buffalo,” Ruben Santiago-Hudson in “Lackawanna Blues” and David Threlfall from “Hangmen.”
The eligibility cutoff date for the 2021-2022 season was delayed to May 4 after several Broadway shows had to cancel performances due to COVID-19 cases reported among cast and crew.
The Tony Awards will be held at Radio City Music Hall on June 12. The ceremony will air live on CBS and Paramount+ starting at 8 p.m. Film and stage star Ariana DeBose will host.
Bishop Luers graduate Michael Oberholtzer received a Tony nomination Monday for Best Performance by an Actor in a Features Role in a Play in “Take Me Out.”
Set almost entirely in the team's locker room, “Take Me Out” explores the intersection of race, sexuality, gender and sports in American culture.
Oberholtzer made his Broadway debut in “Hand to God” in 2015.