The Journal Gazette
Saturday, May 16, 2020 1:00 am

Early Beatles photographer dies at 81

German credited with influencing style of group

Associated Press

NEW YORK – Astrid Kirchherr, the German photographer who shot some of the earliest and most striking images of the Beatles and helped shape their trend-setting visual style, died Tuesday in her native Hamburg at age 81, days before her 82nd birthday, her friend Kai-Uwe Franz told The Associated Press. According to the German publication Die Zeit, she died of a “short, serious illness.”

Her death was first announced by Beatles historian Mark Lewisohn.

Kirchherr was a photographer's assistant in Hamburg and part of the local art scene in 1960 when her then-boyfriend, Klaus Voormann, dropped in at a seedy club, the Kaiserkeller, and found himself mesmerized by a young British rock group: The five raw musicians from Liverpool had recently named themselves the Beatles.

As she later recalled, Voormann then spent the next few days convincing Kirchherr to join him, a decision that profoundly changed her.

“It was like a merry-go-round in my head, they looked absolutely astonishing,” Kirchherr later told Beatles biographer Bob Spitz. “My whole life changed in a couple of minutes. All I wanted was to be with them and to know them.”

Kirchherr had dreamed of photographing “charismatic” men and found her ideal subjects in the Beatles, especially their bassist at the time, Stuart Sutcliffe, a gifted painter. They quickly fell in love, even though she spoke little English and he knew little German.

“Stuart was a very special person, and he was miles ahead of everybody,” she told NPR in 2010. “You know as far as intelligent and artistic feelings are concerned, he was miles ahead. So I learned a lot from him and because in the '60s we had a very strange attitude towards being young, towards sex, towards everything.”

The Beatles in the early 1960s were nothing like the smiling superstars the world would soon know, and they seemed to have little in common with Kirchherr and her friends, young existentialists dubbed “Exies” by John Lennon. The rock group favored black leather and greased back hair and gave wild, marathon performances.

The James Dean lookalike Pete Best was the Beatles' drummer, and Paul McCartney was playing guitar, along with Lennon and George Harrison. (Best was replaced in 1962 by Ringo Starr, and McCartney moved to bass when Sutcliffe left and became engaged to Kirchherr).

Kirchherr was liked and trusted by all of them, and her photographs captured a group still more interested in looking cool and “tough” than in being lovable. She took indelible black and white portraits, including John, Paul and George in leather and cowboy boots on a rooftop; all five with their instruments on an abandoned truck; and a moody closeup of John in an open fairground with Sutcliffe looming like a ghost in back.

“Absolutely stunned to hear the news of Astrid passing,” Best tweeted Friday. “God bless you love. We shared some wonderful memories and the most amazing fun times.”

Kirchherr had an indirect influence on the Beatles' transformation. The collarless jackets the Beatles favored in the early days were inspired by Kirchherr's wardrobe; Sutcliffe, who was around the same height as she, had begun wearing her collarless tops.

Voormann had been so self-conscious about his large ears that he grew his hair longer to cover them. Kirchherr loved his new style, what became the Beatles “mop top” – hair brushed forward, without gel, favored by other German artists – and Sutcliffe soon wore his hair that way. The others, after some resistance, followed along.

Her love affair with Sutcliffe was tragically brief. Sutcliffe collapsed and died of a cerebral hemorrhage in April 1962 at age 21. Kirchherr later married twice, including to the British drummer Gibson Kemp. Both marriages ended in divorce, and she long said that she never got over Sutcliffe's death.

“He was, and still is, the love of my life,” she told NPR in 2010. “I never, ever – and I was married a couple of times – met another man who was so fascinating, so beautiful, and so soft and well-mannered. You name it and that he was, and such a gifted artist.”

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