The Journal Gazette
 
 
Friday, May 22, 2020 1:00 am

Dark comedy feels little too familiar, too safe

LINDSEY BAHR | Associated Press

'The Lovebirds' ★★1/2

“The Lovebirds “ stars Issa Rae and Kumail Nanjiani are two of the most exciting voices working in film and television today, as actors, writers and creators. Rae's “Insecure” and Nanjiani's “The Big Sick” are both vibrant, stimulating and fresh and rooted deeply in the diversity of their own experiences. So it's at least notable that this film, a dark, night-goes-wrong comedy that seems very much in each of their wheelhouses, was not created or written by either. And at times, you kind of wish it had been.

As it is, “The Lovebirds” feels a little too familiar and a little too safe, like all the edges have been smoothed out. Perhaps that's because it was originally a studio film that was supposed to open in theaters nationwide. But the shutdown changed the course of things and now all you need is a Netflix account to see it opening day. And it's a fine movie to spend 86 minutes watching from the comfort of your own home. There are some amusing twists, turns and wardrobe changes as the night gets weirder and more dangerous for this ordinary couple who thought they were just headed to a dinner party.

Directed by Michael Showalter (who also was behind the camera for “The Big Sick”), “The Lovebirds” starts out like a rom-com – a one night stand turns into an all-day hang for Jibran (Nanjiani) and Leilani (Issa Rae) as they futilely try to resist the connection. But cut to four years later and all the lovey-dovey excitement of that first day has turned into bickering and resentment. The way this particular fight spirals out of control, from light jabbing to full-on insults, is almost uncomfortably relatable and precise for a comedy this broad. It's no wonder they break up on the drive to their friend's party.

But that turns out to be the least of their problems when a collision with a biker (who dies, but not because of them) sets off a series of increasingly odd events.

Their high jinks are all a bit too random to fully get on board with the journey, and if you stop for a moment to actually think about what is happening and why, the whole thing might just unravel before you. Rae and Nanjiani make the ride fun enough with their easy chemistry and silly, wide-eyed panic at everything they're witnessing. Still, “The Lovebirds” lacks the singularity of its stars' other noteworthy roles.


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